After two years performing in Hamilton, Tarinn Callender’s current role is the lead in Hackney Empire’s Dick Whittington panto. Here, the 24-year-old speaks of appearing opposite one of his idols and the inclusivity of his new place of work.
In any country, any city, any century, people can, and do, end up starving on the streets. Hunger is based on a semi-autobiographical novel written over 100 years ago by a Norwegian called Knut Hamsun.
Zawe Ashton is better known as an actress – she’s currently on Broadway in Pinter’s Betrayal. For All the Women Who Thought They Were Mad, her eerie second play, was written over a decade ago but is only now finally brought to life in a production by Jo McInnes.
“We’re giving people permission to feel uncomfortable,” says American playwright Dael Orlandersmith of Until The Flood, which addresses the 2014 shooting of African-American teenager Michael Brown in Ferguson, Missouri, by white policer officer Darren Wilson – igniting Black Lives Matter-propelled social unrest.
Road trips have long been adopted as a metaphor to convey the lessons that can be learned over the course of a life. Well-worn to the point of cliché, however, it is not easy for fresh shades to fill such tired etchings.