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Theatre

Friday, April 3, 2020

A theatre and community organisation that lost the majority of its income overnight due to coronavirus is now hosting drama and after school clubs online to support its young people.

Timeless classics are set to captivate audiences as Disney on Ice presents Magical Ice Festival at London’s iconic SSE Arena in Wembley.

A dynamic staging of Lynn Nottage’s play about the “de-industrial revolution” of an American city is a character-driven drama with social commentary

East Londoner Debris Stevenson brings her semi autobiographical show about dyslexia and self discovery to the Empire

Black humour and menace offer shades of Pinter in a serious play which dramatises the plight of one asylum seeker navigating the Home Office’s hostile bureacracy

As part of a five-day run of a new comedy production, a special “traffic light” performance (single, in a relationship or ‘it’s complicated’) will be staged on Valentine’s Day.

An adaptation of E.M Forster’s novel, A Passage to India opens at Stoke Newington’s Tower Theatre next week. Here, director Simona Hughes talks about her vision for the play

Politically charged ‘gig theatre’ mashes up grime rap with a fable about a working class black boy who wins a private school scholarship is raw, vital, sometimes crass, but keeps you hooked

Aerial theatre company creates an acclaimed inter-generational circus show that explores complex human relationships with performers ranging from age 13-60

If Disney has taught us anything over the decades it’s to dream big and be inspired – and Disney on Ice 100 Years of Magic! does exactly that.

Relive the magic of Frozen and timeless Disney classics this Christmas and New Year as Disney on Ice 100 Years of Magic! comes to the O2 London.

First seen fifteen years ago, Winsome Pinnock’s study of lives stalled by a suicide is slimmed down and reimagined in this touring production by Graeae.

Familar tale of a boy hoping to make his fortune in London is given a resonant old school makeover in Windrush era postwar London - with lashings of fun

After two years performing in Hamilton, Tarinn Callender’s current role is the lead in Hackney Empire’s Dick Whittington panto. Here, the 24-year-old speaks of appearing opposite one of his idols and the inclusivity of his new place of work.

In any country, any city, any century, people can, and do, end up starving on the streets. Hunger is based on a semi-autobiographical novel written over 100 years ago by a Norwegian called Knut Hamsun.

Nearly £750,000 has been awarded to the two venues by Arts Council England to fund new seating and upgrade performance and foyer spaces

This is a gloriously happy, funny and moving play.

Zawe Ashton is better known as an actress – she’s currently on Broadway in Pinter’s Betrayal. For All the Women Who Thought They Were Mad, her eerie second play, was written over a decade ago but is only now finally brought to life in a production by Jo McInnes.

“This is a piece of Hackney’s own history that we are giving back to its people,” says Dan Dawes, co-founder of the Idle Discourse theatre company.

The Glory pub in Haggerston is heaving with people eager to grab the seats behind the judges of the Gold Rush competition to witness some of the rawest and most innovative drag performances in London.

Radio 1 DJ Greg James, English cricket icon Jimmy Anderson and ex-Maccabees guitarist Felix White bring their Tailenders podcast to Hackney Empire this Sunday (Oct 13) for a rare live outing.

A playwright who lived on the Woodberry Down Estate before its regeneration has written a new comedy based on London’s housing crisis.

A seven course tasting menu and a poignant drama of loss and migration offer food for thought

Jessica Lazar’s one-act piece plunges viewers in to a terrifying and beautiful world of night-time horrors and fairytale fiction.

Based on the fatal shooting af a black teen by a white policeman, Dael Orlandersmith performs her own devastating poetic monologues which spotlight the racism that divides and distorts America

“We’re giving people permission to feel uncomfortable,” says American playwright Dael Orlandersmith of Until The Flood, which addresses the 2014 shooting of African-American teenager Michael Brown in Ferguson, Missouri, by white policer officer Darren Wilson – igniting Black Lives Matter-propelled social unrest.

Al Smith’s one-man play about an all-American boy who dreams of taking part in the moon landing was first seen in 2006.

Career ambitions clash with family life in Chasing Rainbows, a new play from Oneness Sankara running at Hoxton Hall from June 25 to July 20.

Trying to unpick the qualities that have elevated Tennessee Williams’ The Glass Menagerie to the status of fabled modern classic is a tricky exercise.

2018 will go down as one of the most important years in the history of The Tower Theatre Company.

Road trips have long been adopted as a metaphor to convey the lessons that can be learned over the course of a life. Well-worn to the point of cliché, however, it is not easy for fresh shades to fill such tired etchings.

Two years ago Elliot Warren was performing his debut play in front of two or three people a night. Now he’s won an Olivier Award for it.

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